![]() And Pop is an easy guy to watch for almost two hours - amusing, self-deprecating and instantly likable. Instead he throws himself into the process vigorously, finding little bits of 1950s stock footage to punch up, illustrate or support (albeit ironically) what Pop has to say. Jarmusch could have phoned in the direction, just relied on talking heads and live footage, and he would have had a decent movie. In the end, he may be an artist whose work you don’t like, but the movie makes clear that he is, in fact, an artist. In truth, he probably resisted being popular. From a very early age, Pop knew who he was, and he stuck with that. In any case, it’s quite clear that Pop himself finds value in his work. “Gimme Danger” probably will be a lot more enjoyable for people who actually find value in Pop’s music and performances. And in an archival interview, he is shown congratulating himself for putting an end to the 1960s. At one point, he alludes to Crosby, Stills & Nash as though it were a sinister entity, devised by soul-destroying rich men in California boardrooms. ![]() Throughout the documentary, Pop talks about his work lucidly, with a real point of view about what he was doing, why it was valuable and why he saw others as selling out. What’s odd and interesting about this, though, is that for Pop this was a sincere expression, not a gimmick, but a genuine bearing of the soul. The concerts were a vision of chaos, and increasingly, they were fueled by drugs. He dove into the audience regularly, and the band had to keep playing the same riff over and over until he climbed back up and reclaimed the microphone. Actually, two fingers (one for each hand). Iggy is no stranger to cinema, having appeared in dozens of movies over the last 40 years including Jim Jarmuschs Dead Man, Coffee & Cigarettes. Onstage he wore no shirt and gyrated in a grotesque, animal-like way, while giving everybody the finger. It was the first punk rock band, though no one at the time realized it. Through a series of smart moves - all driven by some innate understanding of his own singular calling - he eventually found himself creating and fronting the Stooges. As a drummer, he started playing in bands, but he said he got sick of looking at the rear ends of singers. Pop grew up in Michigan and emphatically did not hate his parents, who encouraged his musical pursuits. Actually, his voice is a lot like that of Buster Keaton, another Midwesterner who didn’t sound anything like the way he looked. His voice is deep, very Midwestern, the sound of Middle America. He’s funny and tells great stories, and the voice that comes out of him is so the opposite of what you’d expect that it adds to the kick of listening to him. appears on camera for much of the movie, and he’s a pleasure. ![]()
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